![]() ![]() Using a microprocessor rather than input from the photographer, the camera is capable of choosing a shutter speed and aperture setting that will result in a perfectly exposed image. Released in 1978, the A-1 is one of the most historically significant cameras of the 35mm SLR era because it was the first SLR to offer electronically-controlled programmed auto-exposure. ![]() And the top model of the A-series range was, of course, the A-1. These machines were all designed for new photography enthusiasts, offering great quality with a lower spec (and price tag) than the professional-grade F-1. The A-1 was part of Canon’s A-series, a product line comprised of cameras like the AE-1, AE-1 Program, AT-1, and more. What are its strengths, what are its weaknesses, and what’s it all mean to photo geeks today? Instead of examining this weird consumer confusion, let’s just talk about the A-1. But why is demand for the A-1 so anemic compared to its less capable older brother? This is surprising, considering that it’s the better of the two cameras. In addition to writing about all things photography here on CP, I own an online camera shop, and I’ve noticed with regularity that I’ll sell ten AE-1s in the same time that I ship just a single A-1. But counter-intuitively, I could also use the tagline Canon’s Best SLR and be equally accurate. ![]() I could title it The Forgotten Canon, or The Middle Child, and these would be appropriate headlines. Were CP the kind of website to give our reviews catchy taglines, the Canon A-1’s review might pose a problem. ![]()
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